Talks
Forthcoming talks
Past talks
The Emergence of Planning Statistical Experiments on Antenarrative Analysis
Where: 34th Meeting of the Semiotic Society of America (SSA), at the Hyatt Regency Downtown in Cincinnati, Ohio, U.S.A Dates: 15th October 2009 - 18th October 2009
LikeNarratives versus Antenarratives; Crises Effects Evaluation
Where: 10th World Congress of Semiotics, Culture of Communication, Communication of CultureCoruña Spain, Dates: 22nd September 2009 - 26th September 2009 When: 23rd September 2009
In this paper some results on cybernetic modeling and Informational Statistics application are presented that relate to sustaining and it will also consider the antenarrative of David Boje and explore the critical visual aesthetics and antenarrative spectrality described by him, regarding Empire Reading of Manet’s Execution of Maximilian.
In the case study of the fictional Manet’s Execution of Maximilian we propose to look into the World Wide Web and find narrated stories, taking advantage of the idea that the web is nonlinear by nature and by design, where semantics shift across topics, documents, and sites. The most salient fuzzy models use: (1) the intermediary value (called common knowledge), and (2) the extreme (as opposed to intermediary) value.
It is shown that combining the planning of statistical experiments with Informational Statistics enables the creation of a fuzzy membership function that offers a new approach for antenarrative analysis that is independent of initial conditions. This feature also allows new arguments to be obtained by measuring the informational gains to be discussed in art, literature or conversation.
Further, we discuss the Narrative versus Antenarrative Analyses concerning the Enron financial meltdown according to the vision of Boje. ”. Why, do Boje and Rosile put in the title of their article “Enron’s Epic and Tragic Narration”? As they have already written, it is because life imitates art and “epic theatre is not one narrator on one stage; it is a multitude of simultaneous theatric performances, collectively negotiated by inquiry participants (reporters, regulators, analysts), narrating while wandering in an unstable labyrinth of networked stages”.
This approach can be used to obtain either complete or generalized synoptic ideograms. Several simulations or scenarios could be undertaken to illustrate how a combination of the methods clarify the “black box” approach in understanding complex processes in the Arts.
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